2012/06/04

Buchpublikation : Rock and Pop in the Movies (Deutschland)

Rock and Pop in the Movies
ISSN 2193-3901

http://www.rockpopmovies.de

Gesamtüberblick :

1 (2011), 207 S.
Artikel
- Rockumentaries: Documenting Music on Film [9] / Christian Huck
- Van Morrisons Konzertfilme [26] / Willem Strank
- Close Readings
- Elvis - The 68 Comeback Special (1968) [51] / Knut Holtsträter
- Groupies (1970) [60] / Konstantin Jahn
- Nashville (1975) [66] / Dietmar Schiller
- The Doors: Live at the Hollywood Bowl (1987) [72] / Oliver Chinnow, Caroline Amann
- Funky Monks (1991) [77] / Kerstin Bittner
- Truth or Dare (1991) [84] / Benedikt S. Scheper, Katja Bruns, Alfred Berg
- Half Japanese – The Band That Would Be King (1993) [93] / Thorsten Ragotzky
- Rhythm, Country and Blues (1994) [102] / Dietmar Schiller
- ...There and Then (1996) [107] / Caroline Amann
- I Am Trying To Break Your Heart (2002) [112] / Fernando Ramos Arenas
- Falco: Live - Donauinsel (2004) [119] / Janwillem Dubil
- Falco – verdammt, wir leben noch (2008) [125] / Ulrich Kriest
- Beijing Bubbles (2005) [129] / Carolin Lano
- You're Gonna Miss Me (2005) [134] / Thorsten Ragotzky
- Shut Up and Sing (2006) [142] / Dietmar Schiller
- Control (2007) [147] / Marcus S. Kleiner
- Joy Division (2007) [157] / Carsten Heinze
- Nine Inch Nails - Live: Beside You In Time (2007) [166] / Patrick Kruse
- This Is It (2009) [175] / Patrick Kraft
- Rush: Beyond the Lighted Stage (2010) [183] / Julia Fendler, Patrick Niemeier
- Rezensionen
- Para-Theatralität des Rockkonzerts? Anmerkungen zu Christian Jooß-Bernaus Das Pop-Konzert als para-theatrale Form [191] / Hans J. Wulff

2 (2012), 249 S.
Artikel
- Marty's Mixtape: Verwendung und Bedeutungsdimensionen von präexistenter Popmusik in Martin Scorseses Spielfilmen [7] / Ingo Lehmann
- Michael Lindsay-Hogg. Eine erste Annäherung [35] / Fernando Ramos Arenas
- "'Til Things Are Brighter" - Johnny Cash im Dokumentarfilm [50] / Dietmar Schiller
-  "The Last Thing the Planet Needs Is a Rock Concert". Das Spannungsverhältnis von Politik und Popkultur in der Konzeption großer Aid-Konzerte [63] / Anne Kristin Jacobsen
- Close Readings
- Jimi Plays Berkeley (1971) [83] / Emile Wennekes
-  Eat The Document (1972) [93] / Willem Strank
- Neil Young & Crazy Horse: Rust Never Sleeps (1979) [99] / Matthias Bauer
-  No Nukes. The MUSE-Concert (1980) [109] / Dietmar Schiller
- Visionary Heads - Fields of the Nephilim (1991) [115] / Marcus Stiglegger
-  Standing in the Shadows of Motown (2002) [124] / Thomas Wilke
-  Searching for the Wrong-Eyed Jesus (2003) [135] / Thorsten Ragotzky
- Ramones Raw (2004) [149] / Daniel Möhle
- Dave Chappelle's Block Party (2005) [155] / Thomas Wilke
- Metal: A Headbanger's Journey (2005) [163] / Carsten Heinze
- American Hardcore (2006) [171] / Marcus S. Kleiner
- Heavy Metal: Louder Than Life (2006) [185] / Carsten Heinze
- Berlin (2007) [194] / Sven Stollfuß
-  Anvil! The Story of Anvil (2008) [202] / Maurice Lahde
- Until The Light Takes Us (2008) [212] / Carsten Heinze
- The White Stripes Under Great White Northern Lights (2009) [224] / Fernando Ramos Arenas
-  Lemmy (2010) [230] / Fiete Mikschl
-  Rezensionen
- Kiefer, Bernd, Stiglegger, Marcus (Hg.): Pop & Kino. Von Elvis zu Eminem. Mainz: Bender 2004. [242] / Julia Steimle
- Rumpf, Wolfgang: Popmusik und Medien. Münster: LIT 2011. [246] / Hans J. Wulff